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PULP is a multimedia arts and culture magazine, based on Gadigal land.

ALL ARTICLES (DO NOT DELETE!!!!!!!)
Something Grim & Ancient Hung Over An Iliad
Reviews
Something Grim & Ancient Hung Over An Iliad
Reviews
Reviews
Night at the White Bay Power Station: Sydney Biennale’s Art After Dark
Reviews
Night at the White Bay Power Station: Sydney Biennale’s Art After Dark
Reviews
Reviews
An overcast Sunday morning at the Sydney Opera House: Review of Zadie Smith in conversation with Michaela Kalowski
Reviews
An overcast Sunday morning at the Sydney Opera House: Review of Zadie Smith in conversation with Michaela Kalowski
Reviews
Reviews
The Boy Problem: Review of ‘Raising Boys’
Reviews
The Boy Problem: Review of ‘Raising Boys’
Reviews
Reviews
“We will return when the war is over”: Don't Ask the Trees for Their Names at Sydney Opera House
Reviews
“We will return when the war is over”: Don't Ask the Trees for Their Names at Sydney Opera House
Reviews
Reviews
IMG_6055.JPG
Music, Reviews
I Saw God at Cameron Winter
Music, Reviews
Music, Reviews
Reviews
A Sickening Performance: PULP’s Review of Drag 101: A New Drag Showcase
Reviews
Reviews
IMG_1475 2.JPG
Reviews, Music
Laneway 2026 in the Sun, Rain, and Everything in Between
Reviews, Music
Reviews, Music
Everything I Saw at BODIE8
Reviews, Culture
Everything I Saw at BODIE8
Reviews, Culture
Reviews, Culture
“A Tomb for the American Middle Class”: SUDS’ The Humans
Reviews
“A Tomb for the American Middle Class”: SUDS’ The Humans
Reviews
Reviews
It’s Definitely Fascism… Review of the Sydney Opera House’s ‘Is it Fascism Yet?’
Reviews
It’s Definitely Fascism… Review of the Sydney Opera House’s ‘Is it Fascism Yet?’
Reviews
Reviews
Making it up as we go along (or was that something we’re supposed to know?): The Premiere Review
Reviews
Making it up as we go along (or was that something we’re supposed to know?): The Premiere Review
Reviews
Reviews
The 50th Annual Medical Games: 2025 Med Revue
Reviews
The 50th Annual Medical Games: 2025 Med Revue
Reviews
Reviews
I didn’t mean to sound religious about sub-bass. But here we are: Soft Centre Review
Reviews
I didn’t mean to sound religious about sub-bass. But here we are: Soft Centre Review
Reviews
Reviews
MAMA SUBPOENA: HERE WE PLEAD AGAIN
Reviews
MAMA SUBPOENA: HERE WE PLEAD AGAIN
Reviews
Reviews
Sydney Fringe Festival: Doomers by Matthew Gasda
Reviews
Sydney Fringe Festival: Doomers by Matthew Gasda
Reviews
Reviews
Sydney Fringe Festival: ‘Antigone is existential for me’
Reviews
Sydney Fringe Festival: ‘Antigone is existential for me’
Reviews
Reviews
Various Characters Review
Reviews
Various Characters Review
Reviews
Reviews
Reviews
Will I Ever Get To Dance at a Venue Without 300 Homophobic Dudes? — PULP’s Sam Alfred Experience
Reviews
Reviews
Reviews
I saw Ginger Root live and got my funk spunked//Remember to thank the internet for introducing you to new music - Ginger Root Review
Reviews
Reviews
The Intelligence of Contemporary Art - Review
Reviews
The Intelligence of Contemporary Art - Review
Reviews
Reviews
Reviews
What Are We Left With? — A review of SUDS’ The Goat, or Who is Sylvia?
Reviews
Reviews
I went to Joy Orbison and all I got was a great sense of joy, good music, and fun times
Reviews
I went to Joy Orbison and all I got was a great sense of joy, good music, and fun times
Reviews
Reviews
True Nostalgia: PULP goes to salute
Reviews, Music
True Nostalgia: PULP goes to salute
Reviews, Music
Reviews, Music
LIFE IS A LANEWAY? I WANNA RIDE IT ALL DAY-FESTIVAL LONG: PULP'S LANEWAY REVIEW
Reviews, Music
LIFE IS A LANEWAY? I WANNA RIDE IT ALL DAY-FESTIVAL LONG: PULP'S LANEWAY REVIEW
Reviews, Music
Reviews, Music
A Boiler Room with a View
Reviews
A Boiler Room with a View
Reviews
Reviews
Magritte - Art Gallery of New South Wales
Art, Reviews
Magritte - Art Gallery of New South Wales
Art, Reviews
Art, Reviews
Isaac Julien's 'Once Again...(Statues Never Die)'
Reviews, Art
Isaac Julien's 'Once Again...(Statues Never Die)'
Reviews, Art
Reviews, Art
Mixing RED with black: the death of the art movement is the only given
Reviews
Mixing RED with black: the death of the art movement is the only given
Reviews
Reviews

Issue 25 | How to Dismantle the World and Still Feel Good About Yourself in the Morning |
Editorial: Ode to the Warming of Our Planet

(1) 'Return to the Playground' — Sasha Blackman & Sophie Wishart

(2) 'Confessions with Caroline' — Allegra Pezzullo

(3) 'lost property' — Bipasha Chakraborty

(4) 'Last Night was a Rhizome' — Jack Davis

(5) 'How to be known' — Scout Harper May

(6) '11 November 2023' — Ege Yurdakul

(7) 'How to figure out the way' — Arwen Beaumont-Lee

(8) 'Fawn' — Sonal Kamble

(9) 'Love, Death, Knitting' — Annabelle Bullock

(10) 'The Creatures in my Greenhouse March for Australia' — Rosanna Chim

ISSUE 24.jpg

issue 23

the chart, annabelle bullock

the allure of ultraviolence, grace lasschuit

glass, katie short

gutted, sasha blackman

I am unsure if you can hold the weight of this, soraya moore

on the run, ege yurdakul

portrait exchange, sophie wishart

ink, luke cusack

in defence of romcoms, sage belum

don’t wear nike tns/among us, vince tafea

get inmimind, alyssa damara

water and power, geoff cavanough

subcultural flows, jessica watson