“Etched in the fading hues and worn paths of ancient roads,
Marking the passage to memory's embrace.”
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Urich’s soulful connection with the documentary as well as the subject matter is one that is felt palpably.
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Haghighi, all-round artist of acting, writing, and directing origins, leads Subtraction with direction reminiscent of Iranian greats.
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In No Bears, we are just as much aware that we are watching a film as we are of the action taking place. With knowledge of Panahi’s context, every shot feels dangerous, and you're constantly left wondering how he made it.
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