‘Halmeoni (할머니)’ is a series of 35mm photographs of Estelle Yoon's grandmother and their younger sister.
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“I think the things that inspire me the most are definitely music and movies, queer culture. They’re things that can give more — I suppose — broad levels of inspiration, not particular people if that makes sense. I think I’m inspired by the queer community — like I literally make my work for them, that’s where most of my inspiration comes from. Just like being out on a dancefloor or at a pub with close friends, that kind of thing.”
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“My relationship with art is really just centred on my love to create. I always encourage my staff and creative team to do that as well. Yes, we do this for a living, but we’re also following a brief. So, I encourage them to try and create outside of the workplace because that’s where you can actually, really explore your own creativity. I just really love it.”
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“The big thing is if you don't believe in yourself, nobody else can and it's cliché as that is. You have to believe that you do have your own unique style. It might take a month, a year or 10 years. But you need to persist, you need to keep going.”
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As the photos burn, my body regains clarity, the return of my ‘layers’ completing the loop.
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Ashray Kumar visits an Indian temple.
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Today Milan Kundera died; and forty years ago, a different student entered his world of middle-aged fever-dreams.
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We are player, viewer, voyeur, flaneur, spectator, and character all at once.
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Still, time does this funny thing of moving on.
Read MoreOn that Friday afternoon, we revisited those shy little girls that met for the first time, tangled hair from climbing trees and crayon smeared hands that reached out to hold, toothless grins whispering ‘Let’s pretend...’
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I’m not very good at keeping things alive.
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The Cowboy returns in ‘World’s Best Son'
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An ode to past relationships and the ghostly apparitions of memories that are ever present as time goes on.
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You talk to me as if I exist. I am not real. I am not Cosimo. I am oil paint on a panel.
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Made in a lab for your viewing pleasure.
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I am obsessed with the extremes: the extreme of glamour, erotica, and beauty.
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Self portraitures express our creative and romantic partnership and journey and the way it mingles with our identities as queer and POC couple.
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Lost promises of an information-age childhood animate the pages of 3VERLAND, the first dive into a universe previously seen only in glimpses.
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In a world where labels and definitions equal success, 'They/She' visually portrays the undefinable through the lyrical limbs of the model, Archer Rose, in 35mm film format.
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