Both eerie and peaceful, the final room is shrouded in a velvety green amongst which his final paintings whisper rumours of Magritte's transformation. At this point, one cannot help but think back to the self-portrait that greeted them, now at odds with the viscerality of The happy donor and Man and the forest.
Read MoreAs soon as you enter the space, you find that the dialectic of light and darkness is already at play. Then begins the piano, and notes that echo cavernously, consuming the space. In a haunting, projecting boom, Alice Smith begins vocalizing the words, “once again…”
Read More“Yet when the pixel becomes distinct, and elementary, it distorts the image, breaking it down to its most rudimentary composition of shapes and colors.”
Read MoreTo be in and represent a female body in the early twenty-first century is to explore the beautiful and discarded, and tell one's story through new forms.
Read MoreAchieving strong liminality is like landing a coin on its edge: a difficult feat but the effect is impossible to substitute.
Read Morepeople watching. i peer ruthlessly from behind my darkened eyes. observing and absorbing like film.
Read MoreThe ‘Noumenia’ capsule collection draws inspiration from the captivating beauty and transformative energy of the phases of the moon.
Read MoreI wonder whether she’s praying, or meditating, and whether she’s prone to impatience, but the 01:01 train arrives before I work it out. It takes four minutes to depart; four minutes to expose the translucent creature perched in her place.
Read MoreYour phone is hungry for the world, hungry to consume everything in front of you. Regular images are no longer enough, we must survey, collate, stitch together.
Read MoreIn conversation with Kim Jimin of Meaningful Stone — on 90’s rock bands, surfing and the spiritual power of the universal subconscious.
Read MoreInspired by works by Youssef Nabil, Shahin Alipour, Lalla Essaydi and Shirin Neshat, this series of photographs explores the beauty of seemingly ‘paradoxical’ intersecting identities; being from the SWANA region, queer, religious/ non-religious – a child of diaspora existing in the uncertainty between eastern and western culture.
Read MoreAll digital work produced on the internet is fated to become kitsch, no matter the level of elegance or skill with which it is executed.
Read MoreDrawing inspiration from the dark and gritty work of Daido Moriyama, this photo series intentionally juxtaposes the youthful children within a Moriyama-esque visual style, mirroring the contradicting aura of past and present that enveloped Lebak Siliwangi.
Read MoreCuration is experiencing a shift that I believe is well needed, a shift towards rethinking the bounds of the museum from just a place to put art on walls to a more experiential world, creating new, interactive and interdisciplinary ways to view art.
Read MoreAmerican Apparel ceased operations in 2017, so this shoot was a homage to the simple artistry of versatile fashion and the ways it can interact with subject and spectator.
Read More‘Halmeoni (할머니)’ is a series of 35mm photographs of Estelle Yoon's grandmother and their younger sister.
Read More“I think the things that inspire me the most are definitely music and movies, queer culture. They’re things that can give more — I suppose — broad levels of inspiration, not particular people if that makes sense. I think I’m inspired by the queer community — like I literally make my work for them, that’s where most of my inspiration comes from. Just like being out on a dancefloor or at a pub with close friends, that kind of thing.”
Read More“My relationship with art is really just centred on my love to create. I always encourage my staff and creative team to do that as well. Yes, we do this for a living, but we’re also following a brief. So, I encourage them to try and create outside of the workplace because that’s where you can actually, really explore your own creativity. I just really love it.”
Read More“The big thing is if you don't believe in yourself, nobody else can and it's cliché as that is. You have to believe that you do have your own unique style. It might take a month, a year or 10 years. But you need to persist, you need to keep going.”
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