Think you’re ready to become the next Cassandra Clare? Read this first.

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Austen Hunt reflects on his favourite museum in Australia.

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My guide to why Sydney’s past should be on your must-see list.

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Emma Goldrick on the winter blues, seasonal affective disorder, and why we had Vivid in Sydney.

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Catch Tom Ballard, Jordan Raskopoulos, Michael Hing, Shiralee Hood and Nina Oyama being funny for a very good cause.

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If there were any evidence needed that the Morris & Co we know today has thoroughly departed from the principles of the Morris & Co founded by William Morris in 1886, it would be their recent collection in collaboration with H&M.

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Alexi Barnstone is less than impressed with the new GOT season. He explains why.

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Unlike almost any other image from this period, this painting of Dido Belle and her cousin is one of the most interesting and complex works of art from the 18th century. Any attempt to analyse this work creates a complicated set of issues and questions relating to the politics of race and representation in art and art history: is it something that should be celebrated as a means of remembering the life and experiences of a woman who survived a society that was built to oppress her? Or must we examine the deeper representational meaning of this work, however uncomfortable that may be, in order to truly do Belle justice? A complex work demands a complex reading, especially one such as this.

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The best Mr Darcy does not immediately equal the best Pride and Prejudice, but a swoonable leading man goes a long way in the overall effectiveness of the adaptation.

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Matilda Alex-Sanders about this year’s USU Creative Awards Ceremony.

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