“Exile is ultimately what a gaoler calls freedom, and we are far too often our own prisoners.”
Nicholas Osiowy contemplates
A tortured artist. A naive assistant. The child always kills the father. Pop art will kill abstract expressionism. It’s the 50s.
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Backstage at Deathwatch, I felt a rearticulation beginning in the vocabularies of everyone there.
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‘Blithe Spirit’ is a 3-act performance that acts as an absolute testament to what student theatre can be.
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A sensory aigís, expect an odyssey of emotion, talent and stagecraft.
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Play On, written and directed by Gemma Hudson, is an ambitious and exciting cross of And Then There Were None with Heathers.
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Mr. Squiggle’s SUDS ascendancy
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Imaginative theatre has a new set of puppet masters
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There’s nothing more Popular than laughter.
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The theatre kids are having an election
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These more theatrical elements bridged old and new storytelling techniques, and also provided a reason for people to go to the cinema.
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SUDS’ penultimate slot delivers biting social commentary and razor-sharp performances.
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Ree welcomes her audience into the emotional space of her performance, allowing you to first share her pain and safely explore those feelings in yourself, then share her journey to healing.
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Alice may have been in bed, but this show was up and at 'em.
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The latest SUDS production hits the right notes.
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