PULP continues to be PULP, whatever that means to you. Just not your grandma’s orange juice, and definitely not your favourite Britpop band.
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Whilst these adaptations are perfectly fine, there’s an anachronism that can accompany any production put to stage from another era. There’s merit in rote for rote recreations, but I will always prefer a distortion of a classic akin to what Zoe Le Marinel, Jasmine Jenkins, and their team have put to the stage with SUDS Slot 4’s Deathwatch (1947) by Jean Genet.
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The liminal area between teendom and adulthood, between Sydney and Melbourne, between friends and enemies, between ad breaks. Everything that happens within is transitional and temporary: “all we do [at Troy’s house] is recount the last event and talk about the next one.”
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‘Blithe Spirit’ is a 3-act performance that acts as an absolute testament to what student theatre can be.
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I often found myself wishing I had an extra eye to see the splendour of it all.
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After all, the Quad was a great place to be lost in, every path ended in a class, a corridor or a gateway.
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A sensory aigís, expect an odyssey of emotion, talent and stagecraft.
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Play On, written and directed by Gemma Hudson, is an ambitious and exciting cross of And Then There Were None with Heathers.
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Coffee to the architect is what sexual frustration is to the engineer. A point of conversation, a particular quirk, one’s whole personality.
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Our university has an awful lot of stuff.
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Names give character, imply history, and best of all, bring life to the spaces to which they are assigned.
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Photographs of Lake Northam in the late 1800s reveal a sprawling body of water worthy of the now-overstated title ‘Lake’.
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Brilliantly adapted by directors Kieran Casey and Charlie Papps, the production offers a night of gut-wrenching laughter and meta-theatrical analysis in their double (O’) bill of two modern absurdist classics
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It wasn’t until I opened an alumni account that I finally came to terms with losing access to my university emails.
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Binary opposites become whole in SUDS’ vibrant reimagining of the play, and though its discussions of thermodynamics, aesthetics, and sex may at first seem arbitrary, they have profound intention.
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Danial Yazdani’s adaptation of the American classic honours the complexities of Australian immigrant experiences.
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From tea room to bomb shelter to jazz bar.
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Crackling with the electricity of theatre, Heat Lightning captures characters grappling with economic hardship and emotional unrest.
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Fun, fantastical, and hot off the press, StuJo! The Musical serves up a loving tribute to all things campus journalism.
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Off-Offstage is structured as a variety show, featuring monologues, group performances, and songs performed by its motley cast of SUDS members who have (presumably) suffered through the epic highs and lows of HSC Drama themselves.
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