Can you see me? I can see you.
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Music has always found mysterious ways of permeating borders, from sea-faring music boxes containing fragments of exotic sounds to Soundcloud links proliferated online.
All digital work produced on the internet is fated to become kitsch, no matter the level of elegance or skill with which it is executed.
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Drawing inspiration from the dark and gritty work of Daido Moriyama, this photo series intentionally juxtaposes the youthful children within a Moriyama-esque visual style, mirroring the contradicting aura of past and present that enveloped Lebak Siliwangi.
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I am forced to remember it back again. The Sellotape-tear of flesh.
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There’s nothing particularly beautiful about the train station.
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This song is in GTA IV, I hear across the share-house-party kitchen.
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Art, in its purest sense, is to create, while policing, is to destroy.
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Curation is experiencing a shift that I believe is well needed, a shift towards rethinking the bounds of the museum from just a place to put art on walls to a more experiential world, creating new, interactive and interdisciplinary ways to view art.
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The liminal area between teendom and adulthood, between Sydney and Melbourne, between friends and enemies, between ad breaks. Everything that happens within is transitional and temporary: “all we do [at Troy’s house] is recount the last event and talk about the next one.”
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American Apparel ceased operations in 2017, so this shoot was a homage to the simple artistry of versatile fashion and the ways it can interact with subject and spectator.
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‘Halmeoni (할머니)’ is a series of 35mm photographs of Estelle Yoon's grandmother and their younger sister.
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Remember when conversations, or group reminiscing, is a form of idle talk that taps into the collective nostalgia of any group with some semblance of history.
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Saunders waded even deeper. This time he floated on his stomach, observing through the transparent pool floor a flock of people who were most likely unaware that he was their omniscient god.
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“Every time I listen to music, I always get a vision of what the music video will look like, you know? [When] I make my own music, I always have ideas of how the atmosphere or vibes of the song could be extended by the visuals itself.”
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“I think the things that inspire me the most are definitely music and movies, queer culture. They’re things that can give more — I suppose — broad levels of inspiration, not particular people if that makes sense. I think I’m inspired by the queer community — like I literally make my work for them, that’s where most of my inspiration comes from. Just like being out on a dancefloor or at a pub with close friends, that kind of thing.”
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“My relationship with art is really just centred on my love to create. I always encourage my staff and creative team to do that as well. Yes, we do this for a living, but we’re also following a brief. So, I encourage them to try and create outside of the workplace because that’s where you can actually, really explore your own creativity. I just really love it.”
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