PULP
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SearchCampusCultureMusicFilmPlaceRecessLiteratureFashionComedyArt
PULP
RECAP: The Bachelor 2020 Episode 2
RECAP: The Bachelor 2020 Episode 2
Pulp EditorsAugust 14, 2020the bachelor, reality tv, recap, tv
Interview: Bernard Gallate, Author of 'The Origin of Me'
Interview: Bernard Gallate, Author of 'The Origin of Me'
Pulp EditorsMay 7, 2020books, author, interview, The Origin of Me
PULP QUIZ: Which Pride and Prejudice Character are You?
PULP QUIZ: Which Pride and Prejudice Character are You?
Pulp EditorsMay 2, 2020
Enough is enough, someone needs to protect Australian Arts
Enough is enough, someone needs to protect Australian Arts
Pulp EditorsApril 23, 2020theatre, the arts, covid-19, coronavirus, freelance, #NoWorkerLeftBehind
Feeling Behind the Music Trends? Here are Five Indie Artists to Tune Into
Feeling Behind the Music Trends? Here are Five Indie Artists to Tune Into
Pulp EditorsApril 9, 2020
How to: Stay Entertained While Self Isolating
How to: Stay Entertained While Self Isolating
Pulp EditorsMarch 21, 2020
Highlights from Sydney’s French Film Festival
Highlights from Sydney’s French Film Festival
Pulp EditorsMarch 20, 2020
International Women’s Day: The Hype and the History
International Women’s Day: The Hype and the History
Pulp EditorsMarch 9, 2020International Women's Day, IWD, women's rights
Play Review: Hello Again by USyd Graduates' Hat Trick Productions
Play Review: Hello Again by USyd Graduates' Hat Trick Productions
Pulp EditorsMarch 6, 2020
‘Hug-an-Orphan’ holidays: Voluntourism and what we all need to know about ‘heroic’ journeys to the Global South
‘Hug-an-Orphan’ holidays: Voluntourism and what we all need to know about ‘heroic’ journeys to the Global South
Pulp EditorsMarch 4, 2020
How Asian-Australian Creatives Are Killin’ It In Digital Spaces
How Asian-Australian Creatives Are Killin’ It In Digital Spaces

Hear from Tara Chandra, Joy Li, Sabella D’Souza, Nancy Phung & Candice Chung!

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Pulp EditorsDecember 2, 2019
A Loving Ode to Moonstruck, the Greatest Romantic Comedy of All Time
A Loving Ode to Moonstruck, the Greatest Romantic Comedy of All Time

Madeline Ward on Cher’s greatest performance.

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Pulp EditorsNovember 19, 2019
Inhabiting Discomfort: Analysing Queer Bodies In 'Transparent' & 'Blue Is The Warmest Colour'
Inhabiting Discomfort: Analysing Queer Bodies In 'Transparent' & 'Blue Is The Warmest Colour'
Pulp EditorsNovember 16, 2019
I’m a Barbie Girl: Classical reception and the Barbie movie
I’m a Barbie Girl: Classical reception and the Barbie movie

Jocelin Chan examines the Barbie movie.

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Pulp EditorsNovember 13, 2019
Assassination Nation is the Witch-Hunt of Modern Cinema
Assassination Nation is the Witch-Hunt of Modern Cinema

Witches, wicca and revenge porn in Assasination Nation

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Pulp EditorsNovember 5, 2019
10 Words and Phrases Agatha Christie Used Which We Should All Be Using Today
10 Words and Phrases Agatha Christie Used Which We Should All Be Using Today

You’re in for a fizzing good time with this article

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Pulp EditorsOctober 30, 2019
Politics in The Hunger Games: fascism, post-colonial identities, and a terrifying realisation
Politics in The Hunger Games: fascism, post-colonial identities, and a terrifying realisation

Shania O’Brien considers politics in the Hunger Games

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Pulp EditorsOctober 29, 2019
Five Times Tolkien Was An Accidental Queer Icon
Five Times Tolkien Was An Accidental Queer Icon

Marlow Hurst does a deep reading of some Tolkein classics

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Pulp EditorsOctober 23, 2019
No Country for Young Women: Classical Reception in Modern Times
No Country for Young Women: Classical Reception in Modern Times

Tim Livingstone

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Pulp EditorsOctober 9, 2019
The Conundrum of the Secondary Character
The Conundrum of the Secondary Character
Pulp EditorsOctober 7, 2019
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PULP is published on the sovereign land of the Gadigal People of the Eora Nation. We pay our respects to Elders past and present, as well as Indigenous members of our creative community. We respect the knowledge and customs that traditional Elders and Aboriginal people have passed down from generation to generation. We acknowledge the historical and continued violence and dispossession against First Nations peoples. Australia’s many institutions, including the University itself, are founded on this very same violence and dispossession. As editors, we will always stand in solidarity with First Nations efforts towards decolonisation and that solidarity will be reflected in the substance and practice of this magazine.

Sovereignty was never ceded. Always was and always will be Aboriginal land.

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