Play On, written and directed by Gemma Hudson, is an ambitious and exciting cross of And Then There Were None with Heathers.
Read MoreThis series of photographs places drag artists in the everyday realm – from convenience stores to adult shops – capturing their glamour even through the most mundane of activities.
Read MoreYou talk to me as if I exist. I am not real. I am not Cosimo. I am oil paint on a panel.
Read MoreHumans are smart. Unfortunately, humans are also annoying, trite, boring, unimaginative, clichéd, derivative, etc, etc, etc. AI seemingly thrives off all of these worst aspects.
Read MoreUrich’s soulful connection with the documentary as well as the subject matter is one that is felt palpably.
Read MoreIn investigating BroadSlay’s tragic death, I discovered the event’s spirit.
Read MoreI felt cheated by an experience that capitalised on Murakami’s name and a trailer that hinted at his many stories, but had very little to do with the collection itself.
Read MoreCoffee to the architect is what sexual frustration is to the engineer. A point of conversation, a particular quirk, one’s whole personality.
Read MoreAs hard as I try to remember, from no part of my being can I summon a reason for me being here.
Read MoreIt’s more than just directions.
Read MoreThere’s nothing cool about violating labour law.
Read MoreWith his knack of changing character to fit the times, I’m confident it will be a while before we see his last.
Read MoreHaghighi, all-round artist of acting, writing, and directing origins, leads Subtraction with direction reminiscent of Iranian greats.
Read MoreSet in the outer suburbs of Melbourne, this film acts as an enticing representation and characterisation of coming out in a society where homophobia has become socialised.
Read MoreOakley’s directing is subtle and effective, with clever use of sound and lighting to contrast the two major settings at Jean’s school and the nightclub, which are the symbolic fronts of the heteronormative and queer environments that she arbitrates between.
Read MoreI knew two things about the film going in: a) Harris Dickinson was in it and b) it was going to make me cry. Those two things turned out to be true.
Read MoreMade in a lab for your viewing pleasure.
Read MoreRedmon and Sabin masterfully balance gravity and levity in what might be the funniest documentary I have ever seen.
Read MoreSet in circumstances of perpetual domestic conflict: Rape, betrayal, and family violence continually oscillate between each other, creating a profound sense of unease.
Read MoreIn No Bears, we are just as much aware that we are watching a film as we are of the action taking place. With knowledge of Panahi’s context, every shot feels dangerous, and you're constantly left wondering how he made it.
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