The Sydney sulk followed me to the country.
Read MoreAnatomising the N64 isn’t hard when you can peer into the bottle green motherboard, the nucleus of hypnotic rotating graphics, and the labyrinth that allows you to fire off that blue shell.
Read MoreThere is perhaps one thing that unites every Australian town — an institution that has been embedded in our national story since the 18th century: the Australian-Chinese restaurant.
Read MoreMany things change across time; many things remain stagnant. Our angels do both.
Read MorePlay On, written and directed by Gemma Hudson, is an ambitious and exciting cross of And Then There Were None with Heathers.
Read MoreThis series of photographs places drag artists in the everyday realm – from convenience stores to adult shops – capturing their glamour even through the most mundane of activities.
Read MoreYou talk to me as if I exist. I am not real. I am not Cosimo. I am oil paint on a panel.
Read MoreHumans are smart. Unfortunately, humans are also annoying, trite, boring, unimaginative, clichéd, derivative, etc, etc, etc. AI seemingly thrives off all of these worst aspects.
Read MoreUrich’s soulful connection with the documentary as well as the subject matter is one that is felt palpably.
Read MoreIn investigating BroadSlay’s tragic death, I discovered the event’s spirit.
Read MoreI felt cheated by an experience that capitalised on Murakami’s name and a trailer that hinted at his many stories, but had very little to do with the collection itself.
Read MoreCoffee to the architect is what sexual frustration is to the engineer. A point of conversation, a particular quirk, one’s whole personality.
Read MoreAs hard as I try to remember, from no part of my being can I summon a reason for me being here.
Read MoreIt’s more than just directions.
Read MoreThere’s nothing cool about violating labour law.
Read MoreWith his knack of changing character to fit the times, I’m confident it will be a while before we see his last.
Read MoreHaghighi, all-round artist of acting, writing, and directing origins, leads Subtraction with direction reminiscent of Iranian greats.
Read MoreSet in the outer suburbs of Melbourne, this film acts as an enticing representation and characterisation of coming out in a society where homophobia has become socialised.
Read MoreOakley’s directing is subtle and effective, with clever use of sound and lighting to contrast the two major settings at Jean’s school and the nightclub, which are the symbolic fronts of the heteronormative and queer environments that she arbitrates between.
Read More